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Quiver Cover

 
 
When I started these "Early Swords" modules, i was considering swords and only swords as embodiments of complex high-end objects of early iron and steel technology. Then I read Vincent Pigotts paper "The emergence of iron use at Hasanlu" and learned about a complex decorated iron quiver. Here it is:
   
Hasanlu; iron quiver
Drawing of Hasanlu iron quiver cover
Source: See above
The paper states: "The iron panels on this quiver from Hasanlu lVB were decorated by cold working to form raised figures of people and animals. Easily recognizable near the bottom is the figure of an archer shooting a stag. The round bosses and studs are of bronze."
Hasanlu iron is typically heavily corroded and I could not find an actual picture of the quiver.
We have a sheet of iron, about (20 x 60) cm2 in size and - I'm guessing - 0,1 cm - 0,2 cm thick. A fine pattern is "cold-worked" into the metal. What does it take to do this? Quite a lot, to be sure. Here is my list:
  The cover has a volume of of 120 cm3 - 200 cm3 like a cube with a length of about 5 cm to 6 cm. Since the smith needs some more iron to hold the part, and some of the iron is lost during forging, the smith needs to start with a lump of iron with a volume equal to that of a cube with a side dimension of 7 cm to 8 cm. That corresponds - once more I'm guessing a bit - to about a third of a typical bi-pyramidal iron bar as found in Khorsabad
That is a substantial amount of the still precious stuff.
More important: The smith needs a piece of iron that does neither contain large slag inclusions like the (roughly contemporary) Luristan sword shown here), nor substantial inhomogeneities with regard to carbon, i.e. spurious hypereutectoid areas.
Why is that? Because you just can't produce a sheet metal plate without parts looking ugly or contain holes, and you cannot emboss a fine pattern, if parts of your sheet is brittle.
Typical bi-pyramidal iron bar as found in Khorsabad are a 120 years or so younger then the quiver cover and thus, presumably, of better or at least similar quality then the stuff our smith used. The problem then is clear:
The quality of the starting material at the disposal of the smith did certainly not meet the demands made above.
If follows that the smith must have had a few tricks up his sleeve:
  • He most likely could recognize various grades / qualities of the iron offered to him and was able to select suitable pieces.
  • He might have used faggotting to homogenize the iron.
  • It then goes without saying that he could make good quality fire welds, and
  • He might have had some ways to purify his iron by squeezing out slag residue. This might have happened during faggotting.
On other words: The smith knew all the tricks discussed at some length in the context of the Luristan mask swords.
     
 

Assyrian Type Swords Found in Hasanlu

We know that the Assyrians had plenty of iron around 700 BC and thus very likely plenty of iron swords. However, we have no findings, only reliefs like the one right below, showing the sword of Sargon II. More pictures here. Note that it has a particular kind of hilt.
Well, in Hasanlu swords were found that come close:
   
Assyrian swords
Sword of Artgon II
Source: North palace Ninivah; 645 BC; Internet
Hasanlu,. swords: Assyrian?
Drawing of Hasanlu swords
Source: Christopher P.Thornton and Vincent C. Pigott (2012) Blade-type Weaponry of Hasanlu Period IV,
Hasanlu, sword, Assyrian?
The real thing. Heavily corroded - and the hilt is actually bronze!
Source: As above 
     
Interesting. But you must realize that Hsasanlu findings predate Sargon II (and all the other guys on the many reliefs) by around 100 years. So your guess about the significance of these swords is as good as mine. We still need to find some well-preserved Assyrian swords in order to assess the technology behind them.
     

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